The Corporal Theatre

Aware of the urgency to give life to a new actor in order to develop a new theatre, Yves Lebreton stresses the importance of the body in the context of theatre language and the need to promote the creative function of the actor as indispensable tools to bring about a mutation in the contemporary theatre.

Following a path from theoretical explanation to practical demonstration, Yves Lebreton sketches a corporal-vocal language of the actor and presents, beyond the theatrical frame, the expressive sources of the organic reality of the man-actor in its physical and mental ambivalence: the Body-Energy and the Body-Voice.